Look at the essential Pentax Optio WS80 Digital Camera

Also look at these:
* Panasonic Lumix DMCFX07
* Olympus DSLRE3
* Kodak M381
* Fuji Z33WP
* Nikon Coolpix S70

What’s more, it’s crucial that you are aware of the fundamental technical aspects of these cameras before purchasing any one. A Very imperative factor that is commonly at the fore is the camera’s ‘mega-pixel’ (MP). The megapixel rating tells you how detailed your pictures can be, calculated in pixels or points of colour. Every pixel is a single speck in the photograph. These are not limited to digital images, and the same are also found in computer monitors.

For folks hoping to print images which have been transferred to a computer, cameras that have five MP resolution must meet your requirements. If you are simply going to display your images on a screen, TV screen, or internet site, even your old three point two megapixel camera will work! The latest cameras offer as much as 15.1 megapixels, and even the simple point-and-shoot cameras have eight, ten or twelve megapixels!

When light falls upon a certain object; if the object is too dark your camera or meter will automatically give you an over-exposed reading. This also happens when we take a reading from something that is too
bright – the meter gives us an under-exposed reading.

We need to find a mid-tone object for our meters to read the proper exposure.

Sometimes if we are taking pictures in a high contract scene a mid-tone object is impossible to find. 18 % grey is the mid-tone between pure white and pure black.

An 18% grey card will record the exact light that will touch any object. Start by placing the grey card where you are going to take your reading, point your camera or light meter at the grey card – your meter should read the exact light that falls upon the card.

These cards can be used for all types of photography. If you are taking a portrait place the grey card beside the subjects’ face. This will give you an exact reading and help to capture perfect skin tones.

We don’t need to understand the full science of how this works, but knowing a little doesn’t hurt. All light-meters are calibrated to produce an exposure of 18% The grey card reflects the exact same reading.

This card only costs a few Euro, and most decent camera stores should sell them. The 18% grey card should become an important part of your equipment. The grey card can be used if you shoot with digital or film cameras, and whether you use black and white or colour film.

TJ Tierney. Award winning Irish Landscape Photographer. If you are looking for more tips visit: Photo tips. To view some of his images visit his on-line gallery: Pictures of Ireland

Photographic stylistics – Are the pictures that you are presented, what you would like to see? There are “buzz” words flying about everywhere about photojournalism, formal, classic candid, and so on. Would you want a mixture of black and white or only colour photos?

Accuracy in Advertizing – Is this the photographer that will be photographing your wedding ceremony or will they send in whomever is available. Don’t be outraged, this passes off more often than you can conceive of. Be confident that you know which lensman is actually going to be there and that you see THAT CAMERAMAN’S work and meet with that individual in individual.

Character – Is the lensman that you take on someone that you can both get along with? Do you trust them?

Appearance – Ask the photographer how he intends to come dressed. Is this individual well groomed?

Cost – Although, the last thing you want to do is shop by cost, is this person within your budget? If not, is he or she worth the price difference? Make sure that you understand what all the hidden extras costs, including reprints and albums.

Delivery – When will you get your proofs back, thank you cards, your completed album, your bridal portraiture, etc.?

Offer – Whether it’s a la carte or a package, do you comprehend what you are getting? Is there any room for changes and will it cost to do so? Sometimes the packages are fixed, sometimes they can be tailor-made, in any case, ask. How much time will he spend? What if you call for more time? Ensure that you understand what’s coming.

Contract – Do you comprehend the contract. Is it fair? Is everything spelled out? When it comes down going to court, only what is WRITTEN really counts, not what was promised. Ensure that you have no questions ahead of signing. Read it ALL.

What about deposits and payments? What does it say about cancellations and the lensman not being there? If the photographer protests, ask him why? This is one area you must never take lightly. You could be disappointed for a long time.

References – A personal reference is always the best and other brides love to talk. Get a list of references from the photographer and check them out personally. A lensman who doesn’t have references or is scared to give them to you may not be the person that you need to hire.

For more help with Hampshire Family Photographers go to this website